TILTxFNST

2025.07.24 THU 20:00 (목요일 저녁 8시)

Radio Endless : 
Like Everything Being Seen Has a Bow
— 보이는 모든 것에 무지개가 있는 것처럼

안녕하세요. 작가 차지량입니다. ‘보이는 모든 것에 무지개가 있는 것처럼’은 꿈/깸 사이의 다층적인 시공간으로 향하는 주문이자 다짐의 문장입니다. 저는 이 여정에서 마주한 존재들과 함께 즉흥 연주를 하며, 풍경을 펼쳐 보는 시간을 가졌습니다. TILT의 제안으로 그 여정을 다시 떠올리며, 소리들을 모아보았습니다. 

제가 가장 좋아하는 일은 ‘함께 소리를 듣는 일’입니다. 각자의 내면에서 미세하게 진동하는 것들 사이에서 생겨나는 풍경을 떠올립니다. 그 모든 풍경과 존재가 만들어낸 휘어진 시공간은 돌고 돌아 다시 자신에게로 돌아옵니다.

1. Duval Timothy – First Rain [2018] 

2. Ironomi – 風草 [2015] 

3. Cornelius – Surfing on Mind Wave, Pt.2 [2017] 

4. Max Cooper - Transcendental Tree Map [2020] 

5. Cha – love poem [2024] 

6. Yeji Yeon – Nocturnal flight [미발매] 

7. CJR – Free to Leave [미발표] 

8. Joel Vandroogenbroeck – Prelude a L'aube [1981] 

9. CJR, Oh Sera, Yeji Yeon, Cha, Joongwon, Lee Yuchae – 보이는 모든 것에 무지개가 있는 것처럼 (Improv #6, #7) [Live] 

10. Living Room – 어둠에서 빛으로 이끄소서 (Improv with CJR, Sera, Yeji) [Live] 

11. Tigran Hamasyan - Areg And Manushak [Live] 

12. Jonah Yano – The Heavy Loop [2024]

총 분량: 약 108분

Hello. This is Jiriang Cha The phrase, "Like Everything Being Seen Has a Rainbow," is both an incantation and a vow that guides one toward the multi-layered time and space between dreaming and waking. Along this journey, I have had moments of improvising with the beings I encountered, unfolding the landscape. At the suggestion of TILT, I found myself revisiting that journey and have gathered these sounds.

What I love to do most is 'listen to sounds together.' I envision the landscape that emerges from between the subtle vibrations within each of us. The warped time-space, created by all those landscapes and beings, circles and meanders only to return to oneself.

Total duration : 108 Min

2025.07.17 THU 8PM 

Radio Endless: 

As Praias Desertas

— 텅 빈 해변들은 여전히…

끝내 도착한 그곳은,

누구의 것도 아닌 해변이었습니다.

누구도 머물지 않고,

누구도 묻지 않는 그 조용한 풍경 속에서,

우리는 말없이 서로를 마주 봅니다.

“텅 빈 해변들은 여전히

우리 둘을 기다리고 있어요.”

노랫말은 속삭이듯 다가옵니다.

바깥의 바람, 아무도 들어가지 않는 덤불,

그 침묵 속에서 풍경은 우리에게 묻습니다.

더는, 모른 척할 수 있느냐고.

“이곳의 공간감, 음악을 통해 장면이 그려졌으면 좋겠습니다. 여러 곡들을 거쳐 결국 인적 드문 해변에 도착하는 여정. 리우데자네이루를 직접 가보진 않았기에, 각자의 해변을 상상할 수 있으면 좋겠습니다.”

— Curated by Guest Listener, 이원석

Tilt의 문을 처음 열던 날부터 조용히, 그리고 꾸준히 이 공간과 함께해 주신 한 분이 계십니다. 음악을 진심으로 사랑하는 청취자, 이원석 님입니다.

매주 수요일과 목요일에 진행되는 Tilt의 청취 프로그램 Radio Endless의 큐레이션을 처음 부탁드렸을 때, 그는 조심스럽게 고개를 저으셨습니다.

하지만 이내,

한 곡 한 곡을 정성스럽게 고르고,

자신만의 감각으로 조용히,

그리고 놀랍도록 아름다운 여정을 완성해주셨습니다.

그의 큐레이션은 하나의 이야기입니다.

음악이 공간을 만들고, 장면을 불러오며,

결국 우리를 아직 가보지 않은 해변으로 데려갑니다.

누군가가 귀하게 모아 건넨 음악을

천천히 듣는다는 것은,

정성스레 차려낸 음식을 대접받는 일과도 같습니다.

그리고 그런 음악 앞에서는,

듣는 일 또한 하나의 예의가 됩니다.

이 여정이 여러분의 마음속 풍경을 불러오기를.

그리고 그 풍경의 끝에서,

고요하고 깊은 감정을 마주하시기를 바랍니다.

각자의, 텅 빈 해변들에서.

1. John Scofield - I Loves You Porgy [2011]
2. Hania Rani - Buka [2020]
3. Jóhann Jóhannsson - Two is Apocryphal [2022]
4. Stephan Micus - Narration Two [2004]
5. Meredith Monk - Early Morning Melody [1990]
6. Carla Bley - More Brahms [1987]
7. Ralph Towner - Always By Your Side [2006]
8. Shinya Fukumori Trio - Spectacular [2018]
9. Fred Hersch - And so It Goes [2017]
10. Tom Harrell - Apple House [2017]
11. Brad Mehldau & Mark Guiliana - London Gloaming [2014]
12. Ólafur Arnalds - improvisation [2025]
13. Max Richter - The Blue Notebooks [2004]
14. Suso Saiz - They Don't Love Each Other [2017]
15. Morelenbaum²/Sakamoto - As Praias Desertas [2001]

The place we finally reached
was a beach that belonged to no one.

In that quiet landscape where no one lingered,
and no one asked a thing,
we faced each other in silence.

“The empty beaches are still
waiting for the two of us.”

The lyrics drift in like a whisper.
The wind outside, the untouched thicket—
in that silence, the landscape asks us:

Can we feign ignorance any longer?

“I hope the music evokes a sense of space, painting a scene for the listener. A journey through several songs that ultimately leads to a secluded beach. I've never been to Rio de Janeiro myself, so I hope this allows everyone to picture a beach of their own.”

— Curated by Guest Listener, Lee Won-seok

There is one person who has been with us, quietly and consistently, since the day TILT first opened its doors. A listener who truly loves music: Lee Won-seok.

When we first asked him to curate Radio Endless, he cautiously declined.

But soon after,
he meticulously selected each and every song,
quietly crafting, with his own sensibility,
a surprisingly beautiful journey.

His curation is a story.

The music creates a space, evokes a scene, and ultimately, takes us to a beach we've never visited before.

To listen slowly to music that someone has preciously collected and offered is like being served a thoughtfully prepared meal.

And in the presence of such music, the act of listening itself becomes a form of respect.

May this journey evoke a landscape within your own mind.

And at the edge of that landscape, may you encounter a quiet and profound emotion.

On your own, empty beaches.

2025.07.10 THU 8PM (목요일 저녁 8시)
Radio Endless :

Sound of Dystopia — 불편한 정서의 지도

Tilt는 ‘어떻게 들을 것인가’를 묻는 공간입니다. 이번 큐레이션 역시 그 질문을 바탕으로 구성된 청취 목록입니다.

1980년대, 서구의 음악 신(scene)은 급격한 산업 재편과 정치적 보수주의의 그림자 속에서 새로운 언어를 모색해야 했습니다. 이 시기 등장한 인더스트리얼, 포스트펑크, EBM(전자신체음악) 등의 흐름은 음악적 분류를 거부하는 정서의 움직임으로, 도시 불안과 감정 붕괴에 대한 집단적 반응이었습니다.

기계음과 반복, 일그러진 리듬, 감정의 과잉과 단절은 모두 청취를 통한 ‘저항’의 제스처였고, 동시대의 미술과 철학, 실험적 퍼포먼스 또한 비슷한 방식으로 응답했습니다. 몸의 경직, 언어의 파열, 구조의 해체는 모든 감각 장르에서 되풀이되던 질문이었습니다. “무엇이 감정이고, 어디까지가 감각인가.”

그리고 지금, 우리는 또 다른 형태의 도시적 경직과 감각적 피로 속에 놓여 있습니다. 불안정한 경제, 고립된 일상, 무력한 분노, 반복되는 구조적 침묵. 한 세대가 겪은 ‘미래 없음(No Future)’의 정서는, 오늘의 한국 사회에서 기묘하게 되살아나고 있습니다.

이 리스트는 그런 중첩된 시간 위에 놓인 음악들로 구성되어 있습니다. 질서에서 벗어난 리듬과 해체된 구조가 감각을 위로하기보다 낯설게 만들며, 청취자를 멈칫하게 하고 깨어 있게 합니다. 이 사운드들은 춤추는 몸이 아닌 경직된 몸을, 유연한 흐름이 아닌 긴장을, 기분 좋은 배경이 아닌 불편함이라는 정서의 지도를 상상하게 만듭니다.

Tilt는 이 낯선 청취를 통해 다시 묻습니다.
지금, 우리는 어떤 시대의 정서를 듣고 있는가.

1. Throbbing Gristle – 20 Jazz Funk Greats [1979]

2. Cabaret Voltaire – Badge of Evil [1983]

3. Depeche Mode – Pipeline [1983]

4. Coil – Panic [1985]

5. Einstürzende Neubauten – Yü-gung (Fütter mein Ego) [1985]

6. Suicide – Rocket USA [1977]

7. Ike Yard – Motiv [1981]

8. Karl and The Kurbcrawlers – Same Day (Again) [1993]

9. Skinny Puppy – Worlock [1989]

10. Nitzer Ebb – Let Your Body Learn [1987]

11. Keith LeBlanc  – Major Malfunction [1986]

12. Nick Cave & The Bad Seeds – From Her to Eternity [1984]

13. Tuxedomoon – No Tears [1978]

Tilt is a space that continuously asks the question: How should we listen?

This listening session is curated around that very question.

In the 1980s, the Western music scene found itself searching for a new language in the shadow of rapid industrial restructuring and rising political conservatism. Emerging movements like industrial, post-punk, and EBM (Electronic Body Music) were less about genres than they were about emotional refusal—collective reactions to urban anxiety and emotional breakdown.

Mechanical sounds, repetition, distorted rhythms, and emotional excess or detachment became gestures of resistance through listening. At the same time, contemporary art, philosophy, and experimental performance responded in kind: with stiffened bodies, ruptured language, and structural collapse. Across all sensory forms, the same question echoed: What is emotion, and where does sensation end?

Today, we face a different kind of urban rigidity and sensory fatigue—an unstable economy, isolated daily lives, powerless rage, and a recurring structural silence. The feeling of “No Future” once experienced by a generation is strangely resurfacing in Korean society today.

This playlist brings together music that sits atop these overlapping timelines. Rather than comforting the senses, these tracks unsettle them—with unruly rhythms and dismantled structures that disrupt, pause, and awaken. These sounds don’t imagine the body in dance, but in stiffness; not flow, but tension; not pleasant background, but a map of emotional discomfort.

Through this unfamiliar listening, Tilt asks once again:
What kind of emotional landscape are we listening to now?